MULTIVERSE (digital)

by BNNT

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THIS IS DIGITAL VERSION OF THE MULTIVERSE ALBUM.
FOR PHYSICAL ( DOUBLE LP OR CD ) GO TO: bit.ly/2xjaeFj


A.
11:5 6
The last illiterate
S
a xGopuhosntea bfsys Monats

B.
06:03
Sickness begins when one starts to think
sample from introduction to “The War of the Worlds”
radio
drama, read by Orson Walles, aired by CBS i n 1 9 3 8

B1.
07:01
Consider a s i n gle wwave relieved
vo ctahl bey Sptrinee sJsaunvrein oMno ttlhaen dsystem

C.
13:39
God is noth ing m ore than
an acoustic h allucination

D .
13: 2 9
I f The U n i v e r s e i s
dE rxifptaindn ign ga,p aa rr te two
Expanding, are we drifting apart too ?oe ?
S axophone by Mats Gustafsson

Most of the tit les w ere taken
from EmilCi o ran
writingswritings

8NN†
MULTI
VERS
E

M u l tiverse wa s r e corded by
Maitc hCa2ł KSutupdicizo (inO cPtoozbenra 2ń0, P15o)la nd
Mixed and Mas t e re d by
aHt a l d Soarta Gnicru Anubdeiorg (April 2017)

Additional recordin g s:
VSoaixc e— — El vZe rakceht ęinta S Ntoactkiohnoal l mga (Mllearrych i n20 W17)a brsya Ow(loOf Mctoabdesern 2 014) by Michał Ku picz


Gra phi c de signby
moo n ma d n ess. eu

D i Gr o tes k font by
th r ee dotstyp e

iRnsetlaenats-celda susnicd.ecro emxcl u sive
Manufactured and distributed by 8Merch.com
ONE LOUDER
INSTANT CLASSIC © 2017
CLASSIC061LP
iRnsetlaenats-
celda susnicd.ecro emxcl u sive

You can d o wn load
this album f ee and $upport if you feel like it.
IT’S NOT PRICE THAT CREATES VALUE.
WIt’es wnootu not pri ce ___ value.
pldr icliek eth taot ccroenattreisb uvatelu eto.
a culture of
shared access and to bu
ilding a language that
allows us to
feel unity and harmony
o v e r t h e r emains ofcapitalism.

We want to men t i on also, in d irect i n fluen ceo f
Da gnyS zwed and Ma gdalena Fo r ma n0vvi c z,
that was bof, h subt th le and strong, and affected the
chara ccter of this record.
aWse c oarllea bsourraptroisres do na ntdh isa sahlbaumme,d to list mostly males as we do believe that femin ine factor was
predomi nant to its na
Many thanks to aall thture.e womenthat
have hel ped to m ade this album.



Bibliograph y:


Emil Cio ran andMa rthiel Mathews
“A Portrait of Civilized Man”
The Hudson Review,
Vol. 17, No. 1 (1964)

EmilCio ran
“TheFa ll in toT ime”
Gallimard (1964)

AAAArnold J. Toynb e e
O“xAf oSrdtu Udyn iovefr sHitiyst oPrrye””s” s, (1987)
“ TJhoeh nC oSnesatrrulcetion of Social Reality”
The Free Press (1995)

Chris Dobrian
“Music and L a n g u a g e”
Univ ers i t y o f California(1992)

John Searle
“Making the Social World” “Making the Social World
Ox fordU ni v ersity Press (2 010)

Michel Houellebecq
“TMap and the Territor y”
Flammarion (2010)

JaredDiamond
“Coll
a p s e: How Societies Choose
to Fail or Survive”
Penguin Books,
(2011)

Yuva l NoahH a ra ri
“Sapie ns: A Brie fhi st or y of humankind”
Dvir-Sherf(2011)

Arlie Russell H o c h s c h i l d
“The Mana ged Heart:
Commercialization of Hu manFeeling”
TheUnivers it y of Cali f o r n i a Press (2012)

Hito Steyerl
“The Sp am of the Earth:
(e-flux Journal #32 Feb 2012)
Withdrawal from Representation

France esco Berardi
“Hero es: Mass Murder and Suicide ”
Ver so (2015)

Ada mPendl eton
“BlackDada” from “Beco ming Impe rceptible”
Contemp orary Art Centre NewOrleans
& Sigliopress(2016)

credits

released October 10, 2017

All tracks written and performedb y
KDoannraiedl SSzwemwoeldeń s—ki d— r u bamristo naen dm issile,
hammond organ
Stín e e Janvin M otland (voice B1)
and M atsG ustafsson (baritone saxophone A & D)

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Track Name: A _ The last illiterate
W e are not
composedofonesoundripple, butmanyoverlapping
ripples.
As pebbels ni tao an p aonnda laongdy ,w imaatcgnihedi nrogpp ntighm ea ny irnes uthltien gw wataevre. [p2a] tItte risn s snepoaraottin o pfg aaloxeiss osn ithbel es otou onbsde rhveot hrsip irzefeorrend smceaasulree thsi a rbftaicty st eayties,t ibcualtl oyne cbany
lookingatheseparationsoflarge numbers
of galaxies.
“dwisaphepne thaea rlesdt ifllitroemratthe eha s pmaolnurennigtfo ,rm wankenid”. may dressni
AM aPno r trait of Civili The Empire of Emptiness.
zed TEh.e HMud .Csoion Rraenve iawn V,do M 1.l7 N,aor 1.t (h19ei6 lM4)athews.
“dwisaphepne thaea rlesdt ifllitroemratthe eha s pmaolnurennigtfo ,rm wankenid”. may dressni
AM aPno r trait of Civilized TEh.e HMud .Csoion Rraenve iawn V,do M 1.l7 N,aor 1.t (h19ei6 lM4)athews.
Tears and Saints
eDAmetnapstreian exsys.
The good times
are
all
gone.
Track Name: B _ Sickness begins when one starts to think
179 7 was thwhy eheanr eroe sfaded and
transmigrat ed from the world
ofphysicallifeandhistoric al
passion t o the world of visual
fsaeTrimvohnmodaulut lnay tiotetieohnanre rt hvw ea a w gs e a o oo rwuldfs ash thesiufrtesimhde tadun:l a tion.
ot he ageo fd e-evoulotin, or de-civilization.
word ‚‘mobilization’
originally refers to
mibalitocadtriyvy a oatfis otsnhe emo fnb atylhe taio nnsdo wcthehianel
the homeland is engaged
in war against the enemy.
Since the
thanks to the introduction
of conscription and to modern
systems of transportation,
war became a general
mob i l ization of the p opulation.
Late capitalism is trans f e rr ing
the military logic of mobilization
into the sphere oftheeconomy: wo rk, product ion
refers to military
aabscodsteiyvm aotbfio yltn ha neod fn ttahhetei o nso wcheianl
the homeland is engaged in
war against the enemy.
nciSeht en nietnhtc neut ,ryahtnksot t he
All oof ur collective
energies are enlisted to one
goal: t o fight all
othersinorderto survive.
wMaoyb tiloiz ation gives
goppf rhothoeseu inthniooodrnmizlo egensasn vtnaoee Tc:s Fahs la ca lulno eldfa ut see
permanent fall?
Track Name: B1 _ Consider a single wave relieved the pressure on the system
A s an analogy, imaginedroppingmany
pebbelsni to a pond and watching the
resulting wave patterns
in the water. [2] It is
not possible to observe thispreferred
ssepcaraaotinlo efg aal xeibs oyn theey soeu, nbdu hto oriznoen can measure this
artifact statistically by
lookingatheseparationsoflarge numbers of
l[IscaomMe. sntdo.t.aeahlea] la cflreieyaianpsardp c d e el,tsetp edeh ,Ace aosr laionsfsnsretrn ,o t a omt eaanwsmfa n aosoytotd z cohobft i eihace ,etg bhiehf Eitneteie o eaoet y snrsle’ yt se r
the society reaches
iTwtshe epa lerteahak, sa nonundm ipsb osewirmse,pr . le[.:. .]
maximum population,
wealth, resource
consumption, andwasteproductionmeanmaximum
environmentalimpact, approachingthelimitwhereimpact
outstripsresources.
Track Name: C _ God is nothing more than an acoustic hallucination
It’snoteasytoharmonizeyourbreathing
to the cosmic breath,
when people are suffering
aguroiltyu nind o yneo sue nasnde y ooru a nfeoetlh er
for their pain because you
know that your ojb is to find a
solution,
a therapy,a way out– and you
are unable to say what should
be done.
“Unlikelying, animaginedreality
issomethingthateveryone
believesin, andaslongasthis
communalbelievepersists, theimagined
reatliy exerts force ni the world”.
YuvalNoahHarari“Sapiens: ABriefhistoryof
humankind”
f“obdlToneehc sweetaian eubrerstedhsea , fatuoohtrfryee cd yo oe pfa aufarleotrrh wstf, rielciaek,ug erbsil lae auis nra tslyy natdh din g ftttbrehheasaeigqntir igul oece,f ,o a aaprnnnpadd sra eo tnlhi dkiisemye i or oaa ncfln, lo ytismhr tapiena
sigrkles rsv,o .”ilti-
kael
Track Name: D _ If The Universe is Expanding, are we drifting apart too
these are the limits of attention,
of psychic energy
l e a r n i ngfrom the
b o d i l y
Imagine
you are
fal l i n g .
B
ut there
is no g r o und Imagineyoua refaling.
Buthereisno
groundImagine
you are
falling.
B ut
there is no groun
dImagine you
are falling. Buthereisnoground
Imagine you are falling .
But there is no grou n d
Imagine
you are
falling. But there
is no ground Imagineyoua refaling.
no
ground Imagine you are
ut
there is no groun
dImagine you
are falling.
approaching the limit whereimpactoutstripsresources.
Ina fc ot,ne o thfe main lesson to be learned


,
a
n
d t h o s e o t her past
societies [...] is that asociety’ssteepdeclinemaybegin
onlyadecadeortwoafterthesocietyreachesitspeaknumbers, wealth,
and power .[]. The reason is simple

:maximum populationwealthresource
consumption, and wa s t ep r o duction
mean

approaching the limit

dissociation of language
Mcihel “Th eM ap eT”
affective experience; the
second is the virtualization
of the experience of the other.
from the bodily
is the virtualization
experience of the
“Unlikelying, animaginedrealityis
somethingthateveryone believesin,
andaslong as thiscommunalbelievepersists, the
mi agnied reatliy exerts force ni the world”.
humankind”
lft“aihklToneehwd yea naelbiyrkreesteha f auirnaatrgynge
iiool mepnf afa aleonrlawdstri ctedthhure,s elosa itisfrirn slcyceaod odfu rr

fbaoprsergs ecdeila,ee buia,s sut het, tvohintaalytl obafe gainrnog t,a eansniqmdu aethl , pesaitrir ncokodsry.”p osef ,t hlikeeir
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